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About This Portfolio

This is a listing of all the kinetic sculptures I have created since 1975. It is an archive of historical and current work. Most of these are no longer available for purchase because they were created in limited editions. Go to the Current Works page to see sculptures still available for purchase.

You will find photographs, possibly videos, and much more information on many of the sculptures by clicking on the "Click to read more..." link. I have limited information on many of the sculptures from the early years. They were created before video cameras!

List of All Sculptures
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Wednesday
Jul112012

Serenade

• Limited Edition of 36
• Size: 50"h x 50"w x 9"d  
• Run Time: 4.5 Hours  
• Serenade © 2000 
• Sold Out
Serenade Kinetic Sculpture Directions 

About Serenade

 

Serenade is a long running sculpture which produces a soft, random musical texture as well as some interesting visual patterns. Incorporated are precision tuned “Chimes of Java” created by Woodstock Percussion™.

I’ve been toying with the idea for another “musical” sculpture since I made Chime Carillon in 1988. I was looking for a way to lay the tubes out on the wall in pipe organ fashion rather than using the traditional circular wind chime format. I liked the overall form of the idea but I couldn’t finalize it. The problem was one of complexity, controlling all six strikers led to a mechanism that was just too complex to be practical for a wall sculpture. The solution came to me while looking at a pair of earrings at a craft show. I’d rotate each chime tube and striker as a pair and let their relative motion generate the sound. This had the advantage of allowing me to control each tube and striker with a relatively simple mechanism while still allowing for random motion and sound. The rest of the design emerged after a series of experiments and a good measure of serendipity.

 

The power and control mechanism is on the left-hand side of the sculpture. The top pendulum wheel rotates back and forth controlling the overall pace of the movement. A small portion of this motion is transferred to the vertical axis of the chime tubes and strikers through a series of belts and pulleys. This transfer system is the key to the sculpture because it converts the regular, even pace of the left-hand side of the sculpture into the more random motion of the chime strikers. One of the more serendipitous benefits of this system is a way to control the overall volume of the sculpture. Simply sliding the tensioning balls on each tube suspension system allows you to regulate action and volume of that particular tube assembly. Hence you can have a delicate background chime of the light occasional breeze or a stronger presence depending on your mood and the size of the room.

 

 

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